First thoughts, future thoughts

       Imagine a mental cauldron: most of my art becomes ripe in my brain before I ever bring pencil to paper. When there is an idea I feel strongly about, I consider the images that immediately come to mind and shuffle them around in my head. When I think I have a brew of images which would convey my idea well, I begin to sketch. Not all the pieces I create are gauntlets of expression and philosophy; many are simply attempts at depicting something from reality which I think would look interesting or rich drawn–rich in substance and rich in charm. I believe that when something is drawn or painted, the imperfection of the pencil, paint or charcoal on the paper conveys a whole new layer of emotion which photography lacks. The texture of the medium and the direction of the stroke all beg the viewer to analyze and consider the makings of a piece. I would however like to experiment with clay or other 3D mediums because I have enjoyed sculpture in the past. In general, I find imperfection calls more attention than perfection and is more intriguing. And so, I do art to hone the beauty of imperfection. At the same time I do it to polish my ability to create beauty and to recognize it. Ultimately I want my art to move people and to make them feel. I want them to be shocked, baffled, and pleased all at the same time. I see famous art in museums and yearn for my art to inspire the same wonder. I know I am capable. I believe it is just a matter of experimentation with techniques, creative thought and practice.